Children’s Books Should Be an Open-Ended Experience
Traditionally, children’s books have been close-ended, or in other words narratives with representational images. Harlin Quist, an innovative publisher, had the vision that reading should be an open-ended experience with no guidelines maintaining a strict relationship between text and image. From Quist’s 1964 publication of the classic text, Edward Lear’s The Owl and the Pussycat, through to the 1998 revamped edition of Shhh! by Patrick Couratin, Quist married text and image in a way that encouraged and elevated children’s literary and visual experience. The text of picture books might be narrative, nonsensical, or both. Imagery might be representational, conceptual, or a mix of the two. Quist’s insight came to fruition with imagery that conceptualized text. Understanding this text and image relationship, begins with a look at Quist books which interpreted beloved classics. His open-ended approach is further explained by comparison of differently illustrated versions of the same text within the Quist collection. Presenters will engage a dialogue with the audience, who will take on the role of publisher. By utilizing components of Quist books, the audience members are asked to consider their decisions in marrying text and image. As publishers will they save, change, or discard images in order to reinterpret the text as an open-ended experience?
Keywords: Text and Image, Children's Books, Illustration, Publishing
Prof. Martha Carothers
Professor, Department of Art, University of Delaware
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Danielle Delaney
Student, Department of Art, University of Delaware
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Allison Casey
Student, Department of Art, University of Delaware
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Text and Image, Children's Books, Illustration, Publishing
Ref: B07P0118